It’s always stimulating to uncover similarities in different pieces of art– as long as you can feel that something more than plagiarism is involved! One of my first ever experiences came, as mentioned in an early Leaf Collecting post, when I saw the paintings of Andrew Wyeth and realised he dealt with similar people and places as did two other artists from different periods, the poet Robert Frost and the songwriter David Ackles.
Porteous describes larks and swallows flying in the midsummer twilight in the north-east of England. The mood is eerie and almost supernatural as the viewer watches the “messengers from another shore” which act like “needles, blue-black arrows, ravelling breath-taking streamers of flight”.
Lawrence’s narrator is in southern Europe, sitting on a terrace in Florence about 100 years ago, but he also has an acute sense of the gently shifting period between night and day and of birds creating a new landscape. “The world is taken by surprise” as he watches the swallows “with spools of dark thread sewing the shadows together”.
While the narrator in Lawrence’s poem moves from an admiration of swallows to a revulsion towards bats, Porteous’ poem retains a tone of pleasure and wonder. Her birds are the “minstrels” which, evoking “gold, firelight, dancing”, help to bring the medieval ruins of Dunstanburgh castle temporarily back to midsummer life.