That heyday of punk and indie music from 1976 into the mid-1980s was a growth period both of small record labels like Postcard, Stiff and Rough Trade and of fanzines, small independent magazines. Whenever you read and admired a publication about literature or music, you were frequently inspired to set up one of your own which would be equally good if not better. Nowadays people might set up websites and on-line magazines, but then they typed and photocopied them and distributed them at concerts and shops.
Chris Davidson was one such person, producing the Slow Dazzle music fanzine in Greenock, Renfrewshire, in the 1980s. Named after the album by music maverick John Cale, it reviewed and interviewed new and established names from the music scene of the time. The four issues which I still have feature, for instance, conversations with Billy Bragg, the Bluebells, the Pastels, Pete Shelley, Marc Riley and the Creepers, John Peel, footballer/music aficionado Pat Nevin, Tommy Smith, Alan McGee and the Jesus and Mary Chain. In addition, articles on Miles Davis, Frank Zappa, Neil Young, Frank Sinatra, African music, apartheid, the Glastonbury Festival, Kurt Vonnegut and scooters.
In common with many freelance music writers, Davidson was also a keen music promoter, and organised many concerts in the Greenock area in the same period.
I was acquainted with Chris Davidson around this time, and I nursed some literary ambitions. Although I was a music fan, I recognised that I didn’t have the depth of music knowledge and concert-going experience of Davidson and other Slow Dazzle contributors. However, the magazine welcomed wider cultural topics and I did get three theatre reviews included.
Slow Dazzle lasted for six issues during 1983 and 1984. It ended not because it was unsuccessful but because it was too successful. It was taking up too much of Davidson’s time and energy but of course not earning any money. He already had a full-time job plus a wife and family so there came a point where Slow Dazzle became too big to have all these parts of his life running concurrently.
However, Davidson’s fondness for and dedication to music did not wane. 20 years later he was co- running another live music night in Greenock called the Pineapple Club. Its website is now discontinued but its playlist and programme demonstrated that his voracious musical appetite had not dulled with time.
I had always intended to include a homage to Slow Dazzle in Leaf Collecting, but the timing was decided when I saw (belatedly) a proper press feature about Chris Davidson credited in a proper book – A Scene in Between by Sam Knee – about the indie music scene of the 1980s. Well done, Chris! Happy memories for all of us.